18th century

Catacomb saints are the lavishly decorated bodies of early Christians that were exhumed from the catacombs of Rome by the Vatican and placed in towns throughout Europe between the 16th and 19th century. The bodies were covered in gold and precious stones and acted as relics. Images: Neitram, Dalibri & Dbu (wikimedia commons)

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The Hand of the Philosophers is an alchemical symbol first appearing in Isaac Holland’s Die Hand der Philosophen, 15th century. Each feature of the hand corresponds to a quality, element and/or ingredient of the alchemical process. The thumb features a crown & quarter moon and represents the chemical saltpetre, which Holland calls “The King & Lord of all salts.”

The index finger features the star with six points, the meaning of which is only available to initiated alchemists, and the salt Roman Vitriol. The middle features the Sun, and represents Sal ammoniac. Above the ring finger is a lantern, representing alum. The little finger represents both the lock and key of the “hand” as well as common salt. In the palm, the fish represents Mercury, and the fire is just fire.

Images: Sammlung Alchymistischer Schriften, 18th century, Die Hand der Philosophen, 15th century

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Emblems from Sammlung unterschiedlicher bewährter chymischer Schriften, Johannes Isaac Holladus & Michael Sendivogius, 1746, including The Hand of the Philosophers and a Globus cruciger. Source: Embassy of the Free Mind

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Emblems from a German Alchemical Manuscript, Fidelis Werner, 1794. Source: University of Freiburg

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Emblems from Sammlung Alchymistischer Schriften (Collection of Alchemical Writings), 18th Century. The different colors and symbolic images represent stages of the alchemical process, and the composition acts as a guide for the process as a whole. Source: John Rylands Library

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Pages from The Complaint, and the Consolation ; Or, Night Thoughts by Edward Young, 1797. Source: The John Rylands Library

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An illustration of a witches sabbath with the Devil seated in the center from Laurent Bordelon’s satirical work A History of the Ridiculous Extravagancies of Monsieur Oufle, 1710. Similar to Don Quixote, the titular character reads too many books, in this case books on “Magick, the Black-Art, Daemoniacks, Conjurers, Witches etc”, and it rots his brain, causing him to have fantastic delusions. Image: University of Glasgow Library. Full French text: archive.org


📖 Purchase Book (affiliate link, free digital version linked above)

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Pendants like these, carved from ivory or bone, represent characters in proverbs from Bwami, an educational system that taught the values of the Lega people of the Democratic Republic of the Congo. They were owned by men and women of the highest ranks of Bwami, who were the intellectual, moral, and political elite. Source: National Museum of African Art, Late 18th Century

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Diagrams of Alchemical Processes from Das Buch mit Sieben Siegeln, Anonymous, ca. 1700. From Manly P Hall’s Collection of Alchemical Manuscripts, Box 4.MS 19.Vol 2

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Title page of De Arte divina & sacra, sine Aenigmate tradita & del praxin conscripta by Anonymous, ca. 1700. At the top of the painting you can see the Greek God Hermes, representing the element Mercury, the peacock representing the end of the Nigredo stage, and the element of air, represented by the faces blowing. From Manly P. Hall’s collection of alchemical manuscripts Box 3, MS 14

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Drawings from F. de La Rose-croix by Anonymous, circa 1700. Alchemy is sometimes referred to as ‘The Language of Birds’ due to different birds representing different stages in the alchemical process. Source: Manly P. Hall’s Collection of Alchemical Manuscripts Box 5

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Umibozu is a sea monster yokai who creates storms and breaks ships. Often appearing at night, the yokai will sometimes request a barrel from sailors, who would give a bottomless barrel so it wouldn’t drown them. In some regions, fishers sacrificed their first catch to the gods to prevent Umibozu’s appearance. Images: Bakemono no e, 18th Century & The sailor Tokuso and the sea monster by Utagawa Kuniyoshi, 1845

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