devil

Faust’s Höllenzwang, known as The Book of Hell’s Charms, is a legendary book kept in a church in Zellerfeld. If you’re unlucky enough to be able to read it, it summons the Devil. If he is summoned, pray that you’re able to read it backwards or he may take your soul.

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“Your head’s like mine, like all our heads; big enough to contain every god and devil there ever was. Big enough to hold the weight of oceans and the turning stars. Whole universes fit in there! But what do we choose to keep in this miraculous cabinet? Little broken things, sad trinkets that we play with over and over. The world turns our key and we play the same little tune again and again and we think that tune’s all we are.”

– GRANT MORRISON, THE INVISIBLES

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An illustration of a witches sabbath with the Devil seated in the center from Laurent Bordelon’s satirical work A History of the Ridiculous Extravagancies of Monsieur Oufle, 1710. Similar to Don Quixote, the titular character reads too many books, in this case books on “Magick, the Black-Art, Daemoniacks, Conjurers, Witches etc”, and it rots his brain, causing him to have fantastic delusions. Image: University of Glasgow Library. Full French text: archive.org


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The Adversary is an archetype found across cultures, manifesting as figures such as Satan, the Devil, Iblis, Mephistopheles, and Samael. Sometimes depicted as separate from God and other times an agent of them, this figure represents the inclination of evil in humanity.

Images: Hell, Hans Memling, 1485 | Satan, Gustave Doré, in John Milton’s Paradise Lost, 1866 | Adam and the Angels watched by Iblis, Abū Jaʿfar Muḥammad ibn Jarīr al-Ṭabarī, 1415 | Jacob Wrestles with the Angel Samael, Gustave Doré, 1855

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The Hellmouth is an entrance to hell that manifests as the open jaws of an infernal beast. Depictions of Hellmouths were common during the Middle Ages and Renaissance in manuscripts, and even as dramatic mechanical set pieces in theatrical productions.

Image sources:

  • Detail of The Mouth of Hell, from the Book of Hours of Catherine of Cleves, 1440
  • Vision de l’Enfer (Vision of Hell), from Les Visions du chevalier Tondal, 1475
  • Ludolf of Saxony, Inferno, from Speculum Humanae Salvationis, 1455
  • Lambert of Saint-Omer, Liber Floridu, 1250 – 1275
  • Detail of Jugement Dernier – Damnés (Last Judgement – The Damned Souls), 1492

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Depiction of The Devil (almost certainly) surrounded by demon names and corresponding sigils from “Le serpent de la Genèse” (The Serpent of Genesis) Volume 2, by Stanislas de Guaita, 1920. Source: Embassy of the Free Mind


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El Tío (The Uncle) is the devil-like spirit who rules over the mines of Cerro Rico in Bolivia. Statues of this “Lord of the Underworld” can be found all throughout Cerro Ricco’s mines, with offerings like cigarettes, coca leaves, and alcohol left for protection and appeasement.

“Miners may be Christians when above ground, but when in the mine, El Tio is their only god.”

Images: SHIBUYA K, Erik Duinkerken, Jofrigerio, Harry en Marleen

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Seals and characters for summoning the greater demons Lucifer, Beelzebub, and Astaroth. In order of effectiveness, the symbols must be drawn in either: the sorcerer’s blood, the blood of a sea turtle, or engraved on emerald or ruby. From Grimorium Verum (16th Century) and The Grand Grimore (18th Century). Source: “The book of black magic and of pacts”, A.E. Waite, Embassy of the Free Mind


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The Goetic Circle of Black Evocations and Pacts, to summon Satan for a deal. The circle is formed from human skin, fastened by nails from a coffin of an executed criminal. A parricide’s skull, goat horns, a bat drowned in blood, and the head of a black cat who was fed human flesh must be placed around it. From The Book of Black Magic and Pacts, A.E. Waite, 1910. Source: Embassy of the Free Mind


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