Emblems from Manly P. Hall’s collection of alchemical manuscripts, 1600, Box 4, MS 19. From: archive.org
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17th century
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Alchemical emblem 2, Atalanta Fugiens, Michael Maier, 1618. Depicted on bottom: Romulus nursed by a wolf and Jupiter nursed by a goat. The “Child of the Philosophers”, referring to either the Philosopher’s Stone or alchemist themself, nurses from the Earth Mother. Colorized by Eve Harms, CC0. Source: archive.org
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Otoroshi is a long haired yokai who perches on the top of roofs and temple gates in Japan to wait and pounce on anyone who tries to enter with an evil soul. It mauls and eats the wicked when not snacking on small birds. Image: Bakemono no e, 17th Century
Here’s one yokai you don’t want to help with your spring cleaning: the Akaname is goblin-sized creature, with slimy black hair, from Japanese folklore whose tongue is twice as long as its height—that it uses to lick toilets. Image: Edo shokoku hyaku monogatari, 17th Century
Images from Mundus Symbolicus (Symbolic World) by Filippo Picinelli, 1687. The book attempted to be a comprehensive encyclopedia of symbols for use in decoding creation. Source: archive.org
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A witch at her cauldron, standing in a magic circle, surrounded by demons. A grimoire (book of magick spells) can be seen in the right corner, and a goat, representing the Devil, can be seen behind her. Etching by Jan van de Velde II, 1626. Source: Wellcome Library
“Cabala, speculum artis et naturae, in alchymia” by Stephan Michelspacher, 1616, is a short pamphlet about hidden secrets in 4 works of art. The book claims that only masters of alchemy will fully understand them, but gives hints to their meanings relating to: chemistry, astrology, philosophy, art, virtues, and the natural elements.
From Embassy of the Free Mind, and translated on Seculo Spiritus Sancti
