Engravings of hybrid monsters from Opera nela quale vi e molti mostri de tutte le parti del mondo antichi et moderni or “Work in which there are many monsters from all parts of the world, ancient and modern” by Giovanni Battista de’Cavalieri, 1585. Image: Wellcome Collection
Woodcuts from Des Circkelsz und Richtscheyts, Heinrich Lautensack, 1618. This book was meant as a guide for painters, sculptors, stonemasons, goldsmiths, and others to better understand perspective and the human form. Source: Embassy of the Free Mind
The witches’ procession, Early 16th Century, Artist Unknown. Source: The John Rylands Library
Based on the work of Paracelsus, Robert Fludd devised an alchemical theory of creation wherein god separated the materials of the universe out of a chaotic prima materia, in the same way that an alchemist in a laboratory would do. These engravings from the History of the Two Worlds, 1617, illustrated his wild theories. Source: archive.org
Pieter Bruegel the Elder’s Seven Deadly Sins, Published by Hieronymus Cock, 1558: ENVY, GLUTTONY, GREED, LUST, PRIDE, SLOTH, WRATH & THE LAST JUDGEMENT
