engraving

Engraving from Speculum Sophicum Rhodostauroticum (“The Mirror of the Wisdom of the Rosy Cross”), 1618, an early manuscript on the esoteric order of Rosicrucianism by Theophilus Schweighardt Constantiens, a likely pseudonym of the alchemist, physician, and astronomer Daniel Mögling

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Heavenly bodies are essential in alchemy, particularly the sun, moon, Venus, Mars, Mercury, Jupiter and Saturn. Symbols of these planets are common in alchemical art along with their Greek god counterparts, and the success of operations were sometimes tied to zodiacal time. Beyond times of the month, day and hour, these heavenly bodies also corresponded to metals, parts of the body, cardinal sins, and cardinal virtues. Images: Clavis artis, Zoroaster, 17th century and De naturae…historia, Robert Fludd, 1680

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A sorcerer casting a shadow of The Devil by candle light. From “Le serpent de la Genèse” (The Serpent of Genesis) Volume 1, by Stanislas de Guaita, 1920. Source: Embassy of the Free Mind

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Based on the work of Paracelsus, Robert Fludd devised an alchemical theory of creation wherein god separated the materials of the universe out of a chaotic prima materia, in the same way that an alchemist in a laboratory would do. These engravings from the History of the Two Worlds, 1617, illustrated his wild theories. Source: archive.org


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An alchemist next to their athanor, the furnace used to create slow and steady heat for alchemical digestion. Also known as the Philosophical furnace, Slow Henry (Piger Henricus), Furnace of Arcana, and the Tower furnace. From Alchemy: Ancient and Modern by H. Stanley Redgrove, 1911. Colorized by Eve Harms. Licensed under CC0


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