alchemical

Diagrams of Alchemical Processes from Das Buch mit Sieben Siegeln, Anonymous, ca. 1700. From Manly P Hall’s Collection of Alchemical Manuscripts, Box 4.MS 19.Vol 2

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Title page of De Arte divina & sacra, sine Aenigmate tradita & del praxin conscripta by Anonymous, ca. 1700. At the top of the painting you can see the Greek God Hermes, representing the element Mercury, the peacock representing the end of the Nigredo stage, and the element of air, represented by the faces blowing. From Manly P. Hall’s collection of alchemical manuscripts Box 3, MS 14

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Drawings from F. de La Rose-croix by Anonymous, circa 1700. Alchemy is sometimes referred to as ‘The Language of Birds’ due to different birds representing different stages in the alchemical process. Source: Manly P. Hall’s Collection of Alchemical Manuscripts Box 5

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Drawings and watercolor paintings of sacred geometry from Cabala, Unknown Author, 1700. The manuscript contains 13 images, a holy number that represents the oneness of God for the Jewish people, with no accompanying text, and prominently features a Star of David or hexagram. From: Manly P. Hall’s Collection of Alchemical Manuscripts, Box 17 MS 71

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Diagrams of alchemical furnaces in The Key of Alchemy by Samuel Norton, 1577. I love how amateur these look, it’s from a handwritten manuscript, so perhaps they’re placeholder drawings. From Manly P. Hall’s collection of Alchemical Manuscripts. Box 18, MS102, v10

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Emblems from Manly P. Hall’s collection of alchemical manuscripts, 1600, Box 4, MS 19. From: archive.org


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Depiction of an alchemist’s lab from Alchemy, Its Science and Romance, John Edward Mercer, 1921. Image processed and colorized by Eve Harms. Original source: archive.org

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Alchemical emblem 2, Atalanta Fugiens, Michael Maier, 1618. Depicted on bottom: Romulus nursed by a wolf and Jupiter nursed by a goat. The “Child of the Philosophers”, referring to either the Philosopher’s Stone or alchemist themself, nurses from the Earth Mother. Colorized by Eve Harms, CC0. Source: archive.org


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Figure 12 from Hermaphrodite Child of the Sun and Moon by Johann Augustin Brunnhofer (1752). From Mike Brenner’s translation on levity.com: “The snake eating its own tail represents the solid White and Red Stones. These first harden and solidify the virgin Milk, and then transform into a Salamander who lives in the Fire. The Fire furnishes the Salamander with the energy for its continued evolution.

The flying dragon, now fallen to Earth, breathes fire, which devours all metals, transmuting them into Silver or Gold.

The cross designates the Attraction Field of the Astral Fire whose vibrations color the Salamander Venusian yellow, Martian Citrine-Red, and blood-red. This is the Fire of eternal Youth through multiplication, experienced by many.”

Image source: Embassy of the Free Mind

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In this image, from Hermaphrodite Child of the Sun and Moon by Johann Augustin Brunnhofer (1752), the green lion represents the “blossoming of life”. The lion grows by devouring Mercury, which it excretes “as thick as tar”. Above the circle is the symbolic hermaphrodite. Source: Embassy of the Free Mind

Translation of Hermaphrodite Child of the Sun and Moon from levity.com

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