Seals and characters for summoning the greater demons Lucifer, Beelzebub, and Astaroth. In order of effectiveness, the symbols must be drawn in either: the sorcerer’s blood, the blood of a sea turtle, or engraved on emerald or ruby. From Grimorium Verum (16th Century) and The Grand Grimore (18th Century). Source: “The book of black magic and of pacts”, A.E. Waite, Embassy of the Free Mind
The Monster of Krakow first appeared in Histoires Prodigieuses by Pierre Boaistuau, 1559. Four hours after its birth, the demonic beast reportedly uttered “Watch, the Lord cometh” and died. Source: Wellcome Collection
Henry Wellcome commissioned this watercolor from R. Cooper in 1912, depicting an unconscious man being attacked by demons with surgical instruments. The painting is meant to represent the effects of chloroform on the human body. Source: The Wellcome Collection
Before pregnant with Dionysus, Princess Semele dreamt Zeus destroyed a fruit tree with lighting, but the fruit was unharmed. A bird to retrieved a fruit, and he sewed it to his thigh, before a man emerged from that spot. Semele then realized that she was the tree.
The sarcophagus of Leopold I (1640 – 1705), Holy Roman Emperor, King of Hungary, Croatia, and Bohemia, found in the Kapuzinergruft Crypt in Vienna, Austria. Images by Jebulon and Dennis Jarvis from Wikimedia Commons.
The Goetic Circle of Black Evocations and Pacts, to summon Satan for a deal. The circle is formed from human skin, fastened by nails from a coffin of an executed criminal. A parricide’s skull, goat horns, a bat drowned in blood, and the head of a black cat who was fed human flesh must be placed around it. From The Book of Black Magic and Pacts, A.E. Waite, 1910. Source: Embassy of the Free Mind
Barong is the benevolent king of the spirits in Balinese mythology, and the enemy of Rangda, the demon queen. In Bali, each region of the island has its own version of Barong modeled after different animals, including a lion, pig, and tiger. Image: an edit of work by Beeyan on Wikimedia Commons, CC BY-SA
The Mystic Figures of the Enchiridion are symbols, meant to be used along with incantations and prayers, to perform transcendental magic. Most have religious symbolism and are used for spells to protect from secret enemies, wild beasts, poisoning, and bad weather, among other things. From The Book of Black Magic and of Pacts, A.E. Waite, 1910. Source: archive.org
Alchemist and Magician Edward Kelly, in the act of invoking a spirit of the dead at the churchyard of Walton Ledale, from “The book of black magic and of pacts” by A.E. Waite, 1898. The companion in the circle is likely Paul Waring, who helped him with all of his conjurations.
This image, from “Hermaphrodite Child of the Sun and Moon” by Johann Augustin Brunnhofer (1752), represents an alchemical process, with seven planetary figures in an order relating to its ingredients, actions and elements. It also references a poem, Trevisan’s Fountain, and the many layers of the earth. Source: Embassy of the Free Mind
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Alchemical Imagery and tools from “Magia divina oder gründ”, 1745. Source: Embassy of the Free Mind