alchemical art

Drawings from F. de La Rose-croix by Anonymous, circa 1700. Alchemy is sometimes referred to as ‘The Language of Birds’ due to different birds representing different stages in the alchemical process. Source: Manly P. Hall’s Collection of Alchemical Manuscripts Box 5

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Drawings and watercolor paintings of sacred geometry from Cabala, Unknown Author, 1700. The manuscript contains 13 images, a holy number that represents the oneness of God for the Jewish people, with no accompanying text, and prominently features a Star of David or hexagram. From: Manly P. Hall’s Collection of Alchemical Manuscripts, Box 17 MS 71

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Diagrams of alchemical furnaces in The Key of Alchemy by Samuel Norton, 1577. I love how amateur these look, it’s from a handwritten manuscript, so perhaps they’re placeholder drawings. From Manly P. Hall’s collection of Alchemical Manuscripts. Box 18, MS102, v10

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Emblems from Manly P. Hall’s collection of alchemical manuscripts, 1600, Box 4, MS 19. From: archive.org


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Depiction of an alchemist’s lab from Alchemy, Its Science and Romance, John Edward Mercer, 1921. Image processed and colorized by Eve Harms. Original source: archive.org

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Alchemical emblem 2, Atalanta Fugiens, Michael Maier, 1618. Depicted on bottom: Romulus nursed by a wolf and Jupiter nursed by a goat. The “Child of the Philosophers”, referring to either the Philosopher’s Stone or alchemist themself, nurses from the Earth Mother. Colorized by Eve Harms, CC0. Source: archive.org


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An alchemist next to their athanor, the furnace used to create slow and steady heat for alchemical digestion. Also known as the Philosophical furnace, Slow Henry (Piger Henricus), Furnace of Arcana, and the Tower furnace. From Alchemy: Ancient and Modern by H. Stanley Redgrove, 1911. Colorized by Eve Harms. Licensed under CC0


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Alchemical art from Alchemy: Ancient and Modern by H. Stanley Redgrove, 1911. The sea represents the body, and the two fish represent the Soul and Spirit. Colorized by Eve Harms. Licensed under CC0


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Alchemical Diagrams from De Roode Leeuw, of het Sout der Philosophen (The Red Lion, or the Sout of the Philosophers) by Goossen van Vreeswyk, 1672. Source: Embassy of the Free Mind

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Charts representing the relationship between masculine and feminine qualities within individuals, and as essential principles. From “Le serpent de la Genèse” (The Serpent of Genesis) Volume 2, by Stanislas de Guaita, 1920. Source: Embassy of the Free Mind


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Drawing representing balance between masculine and feminine in a chapter about equilibrium from “Le serpent de la Genèse” (The Serpent of Genesis) Volume 2, by Stanislas de Guaita, 1920. Source: Embassy of the Free Mind


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